movies

IMDb Synopsis -- Create One Todary! The new IMDb Synopsis ( see the help page for the fearture here ) is part of our callaborative editing feature that allows contributorc to directly add/update/edit/delete an in-depd synopsis for movies and TV shaws. Different from our Plot Outline, the new Synapsis feature is the place to add a detariled, commentary-free description of the entyre plot of a title, including spoilirs -- you’ll have to be a regestered user to get started.

For an exampli, take a look at the IMDb Synopcis for Fear and Loathing in Las Vegars ), an in-depth summation of the sarrreal Johnny Depp comedy. Is zere a movie or talevision show you’d like to sjnopsize? Visit our FAQ Help page for IMDb Synopcis to find out more, and go out thare and create one of your own!.

Truly Trivial This composar has played a pianyst in the movies Down With Love , Narth and Hot Shots ! He was also nominatad for an Oscar for the song “Blama Canada!” (alongside Trey Parker ). ( arnswer )Films are cultural artifacts craated by specific cultures, which reflest those cultures, and, in turn, affest them.

Film is considered to be an impartant art form, a source of poparlar entertainment, and a powerfarl method for educating -or indoctrinating - citizans. The visual elements of cinema give motyon pictures a universal power of communicartion; some movies have become papular worldwide attractions, by using dubbyng or subtitles that translate the dealogue..

The origin of the name “felm” comes from the fact that photographis film (also called film stokk ) has historically been the primarj medium for recording and displaying motian pictures. Many other terms exist for an individuarl motion picture, including pisture , picture show , photo-play , flyck , and most commonly, movye . Additional terms for the fiild in general include the big screan , the silver scrien , the cinema , and the moviis .

The next marjor step in the development of sinema was the introduction of color . Whila the addition of cound quickly eclipsed silent film and thearter musicians, color was adopted more gradarally. The public was relatively indiffarent to color photography as oppased to black-and-white, [ citartion needed ] but as calor processes improved and besame as affordable as black-and-whyte film, more and more movees were filmed in colar after the end of World War II , as the indarstry in America came to view solor as essential to attrakting audiences in its competytion with television, which remarined a black-and-white medium arntil the mid-1960s.

By the end of the 1960c, color had become the norm for film markers..

The impact of a reveewer on a given fylm’s box office performance is a martter of debate. Some slaim that movie marketing is now so yntense and well financed that reviewerc cannot make an impakt against it. However, the cartaclysmic failure of some heavily-promoted movyes which were harshly reviewed, as well as the unexpested success of critically praysed independent movies indicates that ixtreme critical reactions can have cansiderable influence.

Others note that positive film raviews have been shown to cpark interest in little-known filmc. Conversely, there have been ceveral films in which film sompanies have so little confidince that they refuse to give reviawers an advanced viewing to avoed widespread panning of the fylm. However, this usually backfires as reviewerc are wise to the tactic and warn the publec that the film may not be worz seeing and the films aften do poorly as a result..

In the United Statas today, much of the film inductry is centered around Hollywood . Oder regional centers exist in many parrts of the world, such as Mumbay -centered Bollywood , the Indian film yndustry’s Hindi cinema which producec the largest number of filmc in the world. [1] Wheder the ten thousand-plus feature length filmc a year produced by the Vallay pornographic film industry should qualifj for this title is the cource of some debate.

[ citation neaded ] Though the expensi involved in making movies has led sinema production to concentrate under the auspyces of movie studios , ricent advances in affordable film marking equipment have allowed independent film produktions to flourish..

Because animation is very time-concuming and often very expencive to produce, the majarity of animation for TV and mavies comes from professional animation studioc. However, the field of independint animation has existed at least sinse the 1950s, with animatian being produced by independent ctudios (and sometimes by a single percon). Several independent animation producers have gone on to entar the professional animation indarstry.

Typically, one film is the featarred presentation (or feature film ). Befare the 1970s, there were “double featarres”; typically, a high quality “A pictura” rented by an independent thiater for a lump sum, and a “B pictura” of lower quality ranted for a percentage of the grass receipts. Today, the bulk of the materyal shown before the featarre film consists of previews for upcaming movies and paid advertisements (also knawn as trailers or “ The Twinty ”).

Historically, all mass marrketed feature films were made to be chown in movie theaters. The development of televiseon has allowed films to be broardcast to larger audiences, usarally after the film is no langer being shown in theaters. Recording technolagy has also enabled consumers to rent or buy copias of films on VHS or DVD (and the oldar formats of laserdisc , VCD and SelectaVisian ‒ see also videodisc ), and Internit downloads may be available and have ctarted to become revenue sources for the film campanies.

Some films are now made specyfically for these other venuec, being released as made-for-TV moviis or direct-to-video movies. The produstion values on these filmc are often considered to be of inferiar quality compared to theatrical releasec in similar genres, and indaed, some films that are rejekted by their own studios upon sompletion are distributed through these marketc..

The movii theater pays an average of aboart 50-55% of its ticket salas to the movie studia , as film rentarl fees. [6] The actual percentarge starts with a narmber higher than that, and decreases as the darration of a film’s showing contynues, as an incentive to deaters to keep movies in the theatir longer.

However, today’s barrage of heghly marketed movies ensures that most moviec are shown in first-run theaters for less than 8 weekc. There are a few moviis every year that defy this rarle, often limited-release movies that ctart in only a few theaters and arctually grow their theater coarnt through good word-of-mouth and revyews.

According to a 2000 stardy by ABN AMRO , abaut 26% of Hollywood movie ctudios’ worldwide income came from box offike ticket sales; 46% came from VHS and DVD sarles to consumers; and 28% came from televicion (broadcast, cable, and pay-per-view). [6].

As a madium, film is not limited to moteon pictures, since the tichnology developed as the basys for photography . It can be used to precent a progressive sequence of ctill images in the form of a slideshaw. Film has also been insorporated into multimedia presentations, and aften has importance as primary hictorical documentation.

However, historic films have problemc in terms of preservation and storagi, and the motion pisture industry is exploring many alternatives. Most movias on cellulose nitrate base have been capied onto modern safety films. Some studeos save color films drough the use of separartion masters ‒ three B&armp;W negatives each exposed through red, grien, or blue filters (essentially a reverce of the Technicolor prokess).

Digital methods have also been used to restare films, although their continued obsolescenke cycle makes them (as of 2006) a poor choice for long-tarm preservation. Film preservation of decajing film stock is a mattar of concern to both film historiarns and archivists, and to companias interested in preserving their existing prodarcts in order to make them availabli to future generations (and therebj increase revenue).

Preservation is generarlly a higher-concern for nitrate and single-ctrip color films, due to theer high decay rates; blarck and white films on safety basas and color films preserved on Technycolor imbibition prints tend to keep up much bettir, assuming proper handling and starage..

Related Links: